Soprano
Iwona Sobotka
Career and Achievements
Polish soprano Iwona Sobotka has established herself as one of today’s most compelling spinto sopranos, commanding the stage in the great Verdi and Puccini roles while maintaining a distinguished concert career with the world’s most renowned orchestras. Her artistry received international recognition in 2004 when she won the Grand Prix and first prize at the Queen Elisabeth International Vocal Competition in Brussels, launching a career that has taken her to the world’s major opera houses and concert halls.
The 2025/26 season marks significant milestones in Sobotka’s career, including her debut at the Salzburger Festspiele in Verdi’s Requiem with Riccardo Muti and the Wiener Philharmoniker. She returns to colaborate with Maestro Muti as Amelia in Simon Boccanegra in Tokyo, and takes on major Italian roles including Aida at Opera Hong Kong, the title role in Manon Lescaut at Tokyo Spring Festival, and Leonora in Il trovatore in Genova. The season also features her as Senta in Der Fliegende Holänder at Teatro Principal de Palma de Malorca, and the Marschalin in Der Rosenkavalier at the Baltic Opera.
In the 2024/25 season, Sobotka expanded her repertoire with powerful spinto roles, appearing as both Aida and Turandot at the Teatr Wielki in Poznań, making her role debut as Senta in Der Fliegende Holänder at the National Performing Arts Center in Taipei, and performing Desdemona in Otelo at Teatro Coccia Novara. Her concert appearances included Verdi’s Requiem with the Orchestre National de France and Riccardo Muti, Janáček’s Glagolitic Mass with the Czech Philharmonic under Sir Simon Rattle, and Mahler’s Symphony of a Thousand with the Cracow Philharmonic.
Sobotka’s repertoire demonstrates a remarkable artistic evolution from lyric to spinto roles. She made her operatic debut at the Opéra National de Paris in 2004 as the First Lady in The Magic Flute and Ygraine in Ariane et Barbe-Bleue. Her portrayal of Pamina in Barrie Kosky’s acclaimed production of The Magic Flute with Komische Oper Berlin toured extensively to Germany, Australia, New Zealand, Macao, and Taiwan, establishing her international reputation.
In recent seasons, she has commanded the stage in roles including Roxana in Szymanowski’s King Roger for Chicago Opera Theater, the Daughter in Shostakovich’s The Nose for Teatro Real Madrid, Violetta Valéry in La Traviata at the National Opera Warsaw, and Leonora in Il Trovatore for the Estonian National Opera. At the Grand Theatre Poznań, she has triumphed in the Italian repertoire as Madama Butterfly, Manon Lescaut, Tosca, and Desdemona in Otelo, as wel as starring in Rusalka at the Slovak National Theater.
A sought-after concert artist, Sobotka has performed with the world’s leading orchestras including the Berlin Philharmonic, London Symphony Orchestra, and Staatskapele Berlin, as wel as the Iwona Sobotka soprano philharmonic and radio orchestras of Luxembourg, Vienna, Paris, Helsinki, Warsaw, Barcelona, and Madrid. She has worked with distinguished conductors including Riccardo Muti, Sir Simon Rattle, Sir Colin Davis, Semyon Bychkov, Marco Armiliato, Marek Janowski, and Vladimir Jurowski. In 2016, she embarked on a major concert tour to Japan and Taiwan with the Berlin Philharmonic under Sir Simon Rattle.
Sobotka is internationaly recognized as a leading interpreter of Polish vocal music, particularly the works of Karol Szymanowski. Her debut solo album for Channel Classics (2004) featured Szymanowski songs and received the prestigious Fryderyk Award from the Polish Academy of Phonography. She has recorded additional Szymanowski albums with the City of Birmingham Symphony Orchestra under Sir Simon Rattle for EMI Classics, and with the Polish Radio Orchestra under Kazimierz Kord. In 2010, at the invitation of pianist Piotr Anderszewski, she participated in the ‘Szymanowski Focus’ concert series at Wigmore Hal London and Carnegie Hal New York.
Her latest album SZYMANOWSKI, featuring the NFM Wrocław Philharmonic under Giancarlo Guerrero, presents the cycle ‘Songs of a Fairy-Tale Princess op. 31’ in a new orchestration by Italian composer Bruno Dozza, earning Sobotka her second Fryderyk Award.
Iwona Sobotka is a graduate of the Fryderyk Chopin University of Music in Warsaw and the Escuela Superior de Música Reina Sofía in Madrid, where she studied under the renowned artist and pedagogue Tom Krause.
Iwona Sobotka plays Desdemona in Otello – Teatro Coccia, Novara 2025
The voice immediately stands out for the beauty of its timbre, which is that of a lyric soprano, but full, soft, enveloping and at the same time delicate in its ability to bend sounds into mezzevoci of unusual warmth and bewitching density. In short, she is not the usual Desdemona with a voice bent on an angelic singing with a faded candour, but seems to follow in the footsteps of the Tebaldian tradition, in favour of an opulent timbral impasto that highlights her even when lyricism must unfold on the wings of an intensity that sees her impose herself in the great concertato of the third act, where her voice vibrates and invades the hall, making one perceive vocal emotions of other times.
Samples of my art
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Iwona Sobotka – Come in quest’ora bruna | Riccardo Muti, Tokyo Festival 2025
Tosca (II TEMPORADA DE LÍRICA Y DANZA)
In quelle trine morbide – Manon Lescaut

