Italian bass Luca Dall’Amico appears as Lodovico in Giuseppe Verdi’s Otello at Opéra Royal de Wallonie-Liège in Liège, Belgium, with performances scheduled from 19 to 27 June 2026.

Performance Details

Field Details
Opera Otello
Composer Giuseppe Verdi
Librettist Arrigo Boito, after William Shakespeare
Artist Luca Dall’Amico
Voice type Bass
Role Lodovico
Company Opéra Royal de Wallonie-Liège / Royal Opera of Wallonia
Venue Royal Opera of Wallonia
City / country Liège, Belgium
Dates 19, 21, 23, 25, 27 June 2026
Times 19 June, 20:00; 21 June, 15:00; 23 June, 20:00; 25 June, 20:00; 27 June, 20:00
Conductor Francesco Lanzillotta
Director Allex Aguilera
Production type Staged opera; new production
Orchestra Royal Opera of Wallonia Orchestra
Chorus Royal Opera of Wallonia-Liège Choir
Language Italian
Surtitles German, English, French, Dutch
Running time 3h 25m

Full Cast and Creative Team

Role Performer
Otello Luciano Ganci
Desdemona Maria Teresa Leva
Jago Roman Burdenko
Emilia Julie Bailly
Cassio Paride Cataldo
Roderigo Blagoj Nacoski
Lodovico Luca Dall’Amico
Montano Nicolò Donini
Un araldo Bernard Aty Monga Ngoy
Function Name
Conductor Francesco Lanzillotta
Stage director Allex Aguilera
Set designer Bruno de Lavenère
Costume designer Françoise Raybaud
Lighting designer Laurent Castaingt
Video Arnaud Pottier
Orchestra Royal Opera of Wallonia Orchestra
Chorus Royal Opera of Wallonia-Liège Choir

Luca Dall’Amico as Lodovico

In Verdi’s Otello, Lodovico arrives as the representative of Venetian authority. His entrance shifts the final act of the drama toward public consequence: what has unfolded through private jealousy, manipulation, and psychological collapse is suddenly placed before the political order that Otello serves. For a bass, the role requires clear authority, textual precision, and the ability to define the opera’s public world without overstatement.

Luca Dall’Amico’s appearance as Lodovico extends a repertoire profile deeply rooted in Italian bass roles. His career includes major Verdi assignments such as Banco in Macbeth, Zaccaria in Nabucco, Jacopo Loredano in I due Foscari, Fiesco in Simon Boccanegra, the title role in Attila, Ramfis and the King in Aida, Ferrando in Il trovatore, and Sparafucile in Rigoletto. That Verdi experience gives a meaningful context for Lodovico, a role whose musical weight lies less in extended solo display than in authority, timing, and dramatic balance.

The Liège engagement also connects with Dall’Amico’s previous relationship with Opéra Royal de Wallonie-Liège, where he has sung Raimondo in Lucia di Lamermoor and Elmiro in Rossini’s Otello. His return to the company in Verdi’s Otello places him again within the Italian repertory in a theatre already present in his international career.

About Giuseppe Verdi’s Otello

Otello is Verdi’s late Shakespearean tragedy, set to a libretto by Arrigo Boito after William Shakespeare’s Othello. The opera received its world premiere at Teatro alla Scala in Milan in 1887 and stands among Verdi’s most concentrated theatrical scores. Rather than relying on conventional closed numbers, Otello drives forward through dramatic continuity, orchestral tension, and the escalating force of Iago’s manipulation.

The role of Lodovico belongs to the opera’s public frame. He is not part of the central triangle of Otello, Desdemona, and Iago, but his presence is crucial to the final collapse of order. When he appears, the private tragedy becomes a political and moral reckoning.

About This Production

Opéra Royal de Wallonie-Liège presents Otello in a staged new production conducted by Francesco Lanzillotta and directed by Allex Aguilera. The creative team includes Bruno de Lavenère for set design, Françoise Raybaud for costumes, Laurent Castaingt for lighting, and Arnaud Pottier for video.

The production is sung in Italian, with surtitles announced in German, English, French, and Dutch. Performances take place in Liège on 19, 21, 23, 25, and 27 June 2026.

Opéra Royal de Wallonie-Liège

Opéra Royal de Wallonie-Liège is one of Belgium’s principal opera houses and a recurring international stage in Luca Dall’Amico’s career. For this Otello, the house brings together its orchestra and chorus with an international cast led by Luciano Ganci as Otello, Maria Teresa Leva as Desdemona, Roman Burdenko as Jago, and Luca Dall’Amico as Lodovico.

For Dall’Amico, the engagement follows earlier appearances at the Liège house in Italian and French repertoire, including Raimondo in Lucia di Lamermoor and Elmiro in Rossini’s Otello.

Luca Dall’Amico — Career Highlights

Born in Vicenza, Italy, Luca Dall’Amico is an Italian bass represented by Trucco Management. He graduated with honours in trombone, organ, and composition at the Conservatorio di Musica di Vicenza and studied voice with Sherman Lowe, Stefano Gibellato, and Roberto Scandiuzzi.

In 2009, Riccardo Muti selected him for Agamennon in Gluck’s Iphigénie en Aulide at Teatro dell’Opera di Roma. Shortly afterwards, Dall’Amico made his Teatro alla Scala debut in Pizzetti’s Assassinio nella Cattedrale. His collaboration with Riccardo Muti has included Verdi roles such as Banco, Zaccaria, Jacopo Loredano, Fiesco, and Attila, alongside major concerts including “Le Vie dell’Amicizia” and the “Concerto al Quirinale 2015”.

His repertoire ranges from Mozart and Rossini to Donizetti, Bellini, Gounod, Puccini, and Verdi, with roles including Don Giovanni, Don Alfonso, Figaro, Selim, Mustafà, Alidoro, Oroveso, Raimondo, Frère Laurent, Timur, Colline, Ramfis, Ferrando, and Sparafucile.

Learn more about Luca Dall’Amico through his Trucco Management artist profile, including his biography, repertoire, media, and booking information.